A digital rights group has claimed to have scraped a vast number of tracks from Spotify and is preparing to release them online.
Potential Impetus for Artificial Intelligence Training
Industry experts said the apparent leak could boost artificial intelligence firms looking for material to train their technology.
An entity called Anna’s Archive reported it had obtained 86 million music files from the platform and 256 million rows of associated data such as performer and album names. Spotify, which hosts more than 100 million tracks, stated that the breach did not represent its full catalog.
“We have identified and deactivated the malicious user accounts that were involved in illegal scraping,” stated a Spotify spokesperson.
The Stockholm-based company, which has more than 700 million users worldwide, further explained that an inquiry into unauthorized access found a third party scraped public metadata and used questionable tactics to circumvent DRM [digital rights management].
Archive's Stated Goal and Worries
Spotify does not think the audio acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is recognized for providing links to pirated books, wrote in a blog it wanted to create a ‘preservation archive’ for music.
The group asserted the audio files accounted for 99.6% of all music listened to by Spotify users and would be distributed via ‘torrents’, a method of exchanging large data files online.
“Of course the service doesn’t have all the music in the world, but it’s a great beginning,” commented Anna’s Archive, which describes its mission as “safeguarding humanity’s knowledge and heritage”.
AI Training and Copyright Battleground
Ed Newton-Rex for protecting artists’ rights, remarked the leaked music would probably be utilized for training AI models.
“Educating models on pirated data is unfortunately common in the tech sector, so this stolen music is highly likely to be used training AI models,” he said.
The group's website makes references to LibGen, a vast online repository of pirated books that has allegedly been leveraged by Meta to train its systems.
A founder of an AI startup posted on the professional network that members of the public could in theory “build their own private free equivalent of the service”. He said it could also enable tech companies to “educate models on modern music at scale”.
Copyright has emerged as a key issue between creatives, authors and creatives on one side and AI companies on the other.
Government Considerations and Responses
Across Britain, artists and writers have raised concerns against a ministerial suggestion to allow AI companies utilize copyright-protected work without consent unless the rights holder opts out. Almost every participant to a government consultation on the idea has supported artists’ apprehensions.
The secretary of state for technology, research and technology informed parliament this month there was “no clear consensus” on the matter, adding that ministers would “use the time to get this right”. The government has committed to make regulatory plans on AI and copyright by next year.